'It is easier to tell you I used to be in a religious cult. My declaration is most likely to surprise you, even leave you confused. You might ask for more details. I’d tell you it was one of those evangelical churches, and you'd fill in the gaps for yourself because there are endless possibilities of what a cult-like evangelical church can look like in South Africa. Did I eat grass? Or maybe a snake? Was I sprayed with doom?'

Unlike more traditional denominational churches Pentecostal or evangelical churches are more of a movement and much less regulated. Journalist Pontsho Pilane's experience at a powerful evangelical church changed the trajectory of her life and began her journey of deconstruction. Her aim is to be a responsible believer contributing to a more just society.

In this memoir and analysis, Pontsho investigates the dangers of uninterrogated belief in Pentecostal churches and how these beliefs affect our everyday lives.

In the 1980s, Erika Bornman’s family join, and ultimately move to, KwaSizabantu, a Christian mission based in KwaZulu-Natal, which is touted as a nirvana, founded on egalitarian values. But something sinister lurks beneath ‘the place where people are helped’.

Life at KwaSizabantu is hard. Christianity is used to justify harsh punishments and congregants are forced to repent for their sins. Threats of physical violence ensure adherence to stringent rules. Parents are pitted against children. Friendships are discouraged. Isolated and alone, Erika lives in constant fear of eternal damnation.

At 17, her grooming at the hands of a senior mission counsellor begins. For the next five years, KwaSizabantu wages emotional, psychological and sexual warfare on her, until, finally, she manages to break free and walk away at the age of 21.

Escaping a restrictive religious community is difficult, but rehabilitation into ‘normal’ life after a decade of ritual humiliation, brainwashing and abuse is much more painful, as Erika soon discovers. She cannot ignore her knowledge of the grievous human-rights abuses being committed at KwaSizabantu, and so she embarks on a quest to expose the atrocities. With her help, News24 launches a seven-month investigation, culminating in a podcast that will go on to win the internationally renowned One World Media Award for Radio and Podcast in 2021.

In Mission of Malice: My Exodus from KwaSizabantu, Erika chronicles her journey from a fearful young girl to a fierce activist determined to do whatever it takes to save future generations and find personal redemption and self-acceptance.

Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.

Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.

Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.

New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.

Africa has received $1.2 trillion in development assistance since 1990. Even though donors have spent more than $1 000 per person over these 30 years, the average income of sub-Saharan Africans has increased by just $350. The continent has very little to show for this money, some of which has been consumed by the donors themselves, much of it by local governments and elites. There must be a better way to address the poverty pandemic.

Expensive Poverty is focused on answering the trillion-dollar question: why have decades of spending had such a small impact on improving the lives of the poor? Whatever the area of aid expenditure – humanitarian, governance, military, development – the overall intention should be the same: to try to reach the point that aid is no longer necessary.

Expensive Poverty lays out how to get there.

South Africa’s distorted distribution of wealth is one of the biggest challenges facing the country’s economy, with unemployment sitting at an unsustainable 27.7%. In terms of wealth, the top percentile households hold 70.9% while the bottom 60% holds a mere 7%. 76% of South Africans face an imminent threat of falling below the poverty line. With such statistics, the inequality crisis in this country is at a desperate level and strategies to remedy this challenge seem shallow and lack urgency.

In this context, the Institute for African Alternatives has brought together a series of papers written by eminent South African academics and policymakers to serve as a catalyst to finally confront and resolve inequality. With papers from former Public Prosecutor Thuli Madonsela, Ben Turok and former President Kgalema Motlanthe, this book provides a guide to how the nation can confront and resolve the inequality plaguing the country. The nation is headed to the polls later this year and books such as this are vital for providing a strong guide on how those in power can address South Africa’s biggest economic crisis.

A great contribution to the current political discourse, the book both confronts the issue and provides strategies on how to remedy inequality.

A book that taps into the current debate around resource rentals in South Africa, and outlines practical steps that can be taken to a different tax regime.

Land rent can provide jobs for all if we just collect it instead of taxing those who create wealth or seek merely to survive. This rent, or the locational advantage of each piece of land, is owed to the community, whose grant of security of tenure enables the owner to enjoy its man-made and natural advantages. Rent has been a phenomenon since the time of the Physiocrats and Adam Smith, but its potential has been ignored and the world has got lost in an economic jungle of its own making.

This book is based on a very simple proposal: replace most taxation with collection of land and other natural resource rentals. It shows the way to the broad uplands of prosperity for all, and explains why it is time for us to talk about rent! It taps into the current debate in the media and economic and political circles around resource rentals in South Africa, and outlines practical steps that can be taken to a different tax regime. This book is highly relevant and topical, and offers much to stimulate further debate whilst offering something positive and workable.

‘Dancing a tango with death’ was the daily life of the DCC – the Directorate of Covert Collection – secret agents, working in what JJ ‘Tolletjie’ Botha called ‘hostile countries’. Who were these men? Airline pilots, Belgian missionaries, German industrialists, engineers, medical doctors, high-ranking officers of enemy countries and last, but not least, people like a well-known Namibian lawyer and a famous, internationally acclaimed South African singer; people who, sometimes unwittingly, collaborated with the ‘shadow’s men’, believing they were helping friendly countries … Did the document prepared by General Pierre Steyn, the famous topsecret Steyn Report, really exist?

In this book you will find the full original document whose existence has been denied by FW de Klerk and his closest allies. Did Judge Richard Goldstone act bona fide by accepting in his final report the information given to him by Counter Intelligence and the NIS, information that, at the very end, emerged as “hearsay”? Was Judge Goldstone aware of the final objective of the tandem pair Steyn-De Klerk to decapitate the South African Defence Force?

Did the top structure of the DCC maintain close contacts with most of the Western intelligence services, and particularly the British MI6? Was any one of the hundreds of civilian and military men ‘listed’ as part of the infamous Third Force ever condemned? Was Staal Burger or Ferdi Barnard really part of the DCC or were they ‘imposed’ by the then Chief of the Army, General Kat Liebenberg? Did you know that more than half the African members of the first Mandela cabinet had been on the DCC’s payroll? Why did the Motsuenyane Commission of Enquiry have to suspend its search, and never published the list of ANC members massacred or disappeared, victims of their own comrades?

A secret torment for some, a proud responsibility for others, ‘black tax’ is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories.

With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members is an undeniable part of African culture and question whether it should even be labelled as a kind of tax. Others point to the financial pressure it places on black students and professionals, who, as a consequence, struggle to build their own wealth. Many feel they are taking over what is essentially a government responsibility. The contributions also investigate the historical roots of black tax, the concept of the black family and the black middle class.

In giving voice to so many different perspectives, Black Tax hopes to start a dialogue on this widespread social phenomenon.

Rosie Motene's story is about a young girl born to the Bafokeng nation during the apartheid era in South Africa.

At the time, Rosie’s mother worked for a white Jewish family in Johannesburg who offered to raise the child as one of their own. This generous gesture by the family created many opportunities for Rosie but also a trail of sacrifices for her parents. As she grew, Rosie struggled to find her true identity.

She had access to the best of everything but as a black girl she floundered without her own culture or language. This book describes Rosie’s journey through her fog of alienation to the belated dawning of herself discovery as an African.

This searingly observant illustrated history of the women of Crossroads during the 1970s and 1980s tells a history of past and present organised resistance movements led by black women.

“I heard about the famous women of the Crossroads struggle, which resulted in Crossroads being the only African informal settlement in the 1970s to successfully resist the apartheid bulldozers… I wanted to know what happened to the women who spearheaded the struggle for Crossroads,” so says Koni Benson, the author of this graphic novel-style history, and lecturer in the Department of History at the University of the Western Cape.

Illustrated by South African political cartoonists, André and Nathan Trantraal, together with Ashley Marais, Crossroads: I Live Where I Like, joins some recent histories which are written for both children and adults alike. The candid illustration style and the deeply felt text is a testament not just to the team who produced the book, but to the remaining women of Crossroads, who wanted their stories to have the widest reach possible.

Crossroads: I Live Where I Like is a crucial exploration of a neglected part of South African history. It has all the hallmarks of a book that will be regarded as a pioneer in both form and content.

An essential guide for those dealing with the Cape Water Crisis and for general water saving in South and southern Africa, a notoriously water-scarce region.

Three provinces in South Africa have been declared national disaster zones because of drought. The way we think about water needs to change, and fast. This is especially true for those of us who have running water and flush sanitation piped into our homes. For millions of South Africans, water is already a precious resource that costs toil to collect and fuel to heat. Our middle-class expectations that water will gush steaming from our dozens of indoor taps 24/7 are going to look as bizarre to future generations as the spectacle of Cleopatra bathing in asses’ milk. Our Roman-orgy relationship with water is over.

This book will hopefully help to alleviate water panic and distress. A “can-do” compendium, it’s meant to be a guide, not prescriptive – not all solutions or tips are one-size-fits-all. Think of it as an ally in your fight to save water and part of your survival kit, along with the first-aid box; Valium for water-worriers.

In 1993 South Africa state president F.W. de Klerk and African National Congress (ANC) leader Nelson Mandela were awarded the Nobel Peace Prize ‘for their work for the peaceful termination of the apartheid regime’. Yet, while both deserved the plaudits they received for entering the negotiations that led to the end of apartheid, the four years of negotiations preceding the April 1994 elections, known as the transition era, were not ‘peaceful’: they were the bloodiest of the entire apartheid era, with an estimated 14,000 deaths attributed to politically related violence.

This book studies, for the first time, the conflicts between the ANC and the Inkatha Freedom Party that took place in South Africa’s industrial heartland surrounding Johannesburg. Exploring these events through the perceptions and memories of combatants and non-combatants from war-torn areas, along with security force members, politicians and violence monitors, offers new possibilities for understanding South Africa’s turbulent transition.

Challenging the prevailing narrative which attributes the bulk of the violence to a joint state security force and IFP assault against ANC supporters, the author argues for a more expansive approach that incorporates the aggression of ANC militants, the intersection between criminal and political violence, and especially clashes between groups aligned with the ANC.

Alfred Qabula was a central figure in the cultural movement that emerged among working people in and around Durban in the 1980s. The movement was an innovative attempt to draw on the oral poetry developed among the Nguni people over many centuries. Qabula was a forklift driver in the Dunlop tyre factory in Durban at the time this book was developed. He used the art of telling stories to critique the exploitation of black workers and their oppression under apartheid.

A Working Life, Cruel Beyond Belief is the first book in the Hidden Voices series and is Qabula’s testament, telling the powerful story of his life and work. It also contains a generous selection of his poetry. The Hidden Voices Project emerged out of an interest in intellectual left contributions towards discussions on race, class, ethnicity and nationalism in South Africa. Specifically, the project seeks to examine and make available writings on left thought under apartheid. The aim is to look at hidden voices – voices outside of the university system or academic voices suppressed by apartheid pressures. Before and during the apartheid years, many universities were closed to existing local ideas and debates, and critical intellectual debates, ideas, texts, poetry and songs often originated outside academia during the period of the struggle for liberation.

About 50km outside of Cape Town lies the beautiful town of Stellenbosch, nestled against vineyards and blue mountains that stretch to the sky. Here reside some of South Africa’s wealthiest individuals: all male, all Afrikaans – and all stinking rich. Johann Rupert, Jannie Mouton, Markus Jooste and Christo Weise, to name a few.

Julius Malema refers to them scathingly as ‘The Stellenbosch Mafia’, the very worst example of white monopoly capital. But who really are these mega-wealthy individuals, and what influence do they exert not only on Stellenbosch but more broadly on South African society?

Author Pieter du Toit begins by exploring the roots of Stellenbosch, one of the wealthiest towns in South Africa and arguably the cradle of Afrikanerdom. This is the birthplace of apartheid leaders, intellectuals, newspaper empires and more.

He then closely examines this ‘club’ of billionaires. Who are they and, crucially, how are they connected? What network of boardroom membership, alliances and family connections exist? Who are the ‘old guard’ and who are the ‘inkommers’, and what about the youngsters desperate to make their mark? He looks at the collapse of Steinhoff: what went wrong, and whether there are other companies at risk of a similar fate. He examines the control these men have over cultural life, including pulling the strings in South Africa rugby.

Jonathan Jansen is die voormalige Rektor van die Universiteit van die Vrystaat, met 'n formidabele reputasie vir transformasie en 'n diepgewortelde verbintenis tot versoening in gemeenskappe wat met die erfenis van apartheid saamleef. In hierdie boek, Jansen se persoonlikste en mees intieme boek tot op hede, daag Suid-Afrika se geliefde professor die stereotipes en stigma uit wat so maklik op Kaapse Vlakte-ma's van toepassing gemaak word as luidrugtig, wellustig en sonder tande – en bied hy dié deernisvolle verhaal aan as 'n lofsang vir ma's oral wat op moeilike plekke gesinne moet grootmaak en gemeenskappe moet bou.

As jong man het Jansen gewonder hoe ma's dit regkry om kinders onder moeilike omstandighede groot te maak – en toe besef die antwoord is reg voor hom in die vorm van Sarah Jansen, sy eie ma. Deur haar vroeë lewe in Montagu en die gevolge van apartheid se gedwonge verskuiwings na te speur, werp Jansen lig op hoe sterk vroue nie slegs daarin geslaag het om gesinne bymekaar te hou nie, maar hulle kinders ook met integriteit groot te maak.

Met sy kenmerkende fynsinnigheid, humor en eerlikheid, volg Jansen sy ma se lewensverhaal as 'n jong verpleegster en ma van vyf kinders, en wys hy hoe dié ma's hulle verlede verwerk het, hulle huise ingerig het, sin gemaak het van die politiek, die liefde bestuur en kernwaardes gekommunikeer het – hoe hulle hulle lewens gelei het. Om sy eie herinneringe te balanseer, het Jansen hom op sy suster, Naomi, beroep om haar eie insigte en herinneringe te deel, en daardeur spesiale waarde tot hierdie roerende memoir toe te voeg.

Jonathan Jansen is the former Vice Chancellor of the University of the Free State, with a formidable reputation for transformation and for a deep commitment to reconciliation in communities living with the heritage of apartheid. In this, Jansen’s most personal and intimate book to date, South Africa’s beloved professor contemplates the stereotypes and stigma so readily applied to Cape Flats mothers as bawdy, lusty and gap-toothed – and offers this endearing antidote as a praise song to mothers everywhere who raise families and build communities in difficult places.

As a young man, Jansen questioned how mothers managed to raise children in trying circumstances – and then realised that the answer was right in front of him in the form of Sarah Jansen, his own mother. Tracing her early life in Montagu and the consequences of apartheid’s forced removals, Jansen unpacks how strong women managed to not only keep families together, but raise them with integrity.

With his trademark delicacy, humour and frankness, Jansen follows his mother’s life story as a young nurse and mother to five children, and shows how mothers dealt with their pasts, organised their homes, made sense of politics, managed affection, communicated core values – how they led their lives. As a balance to his own recollections, Jansen has called on his sister, Naomi, to offer her own insights and memories, adding special value to this touching personal memoir.

In the early planning stages of Freedom Park, Robin Binckes participated as a member of the history sub-committee. The amount of debate and argument, much of it heated, astounded him. Practically every event discussed was interpreted from diametrically differing viewpoints. One of the most controversial topics was the Great Trek, the 1836 Boer exodus from the Cape Colony.

Traditionally writers on the subject have covered the event from a perspective not only of 'white history' but predominantly of 'Afrikaner history'. It has always been seen as 'an Afrikaner event'. It was anything but. As the Great Trek and the events leading up to it involved every section of the population - Zulu, Sotho, Ndebele, Xhosa, Khoisan, Khoikhoi, Coloured, British, English-speaking South African and Boer - it is time to portray the trek in that light, in the context of a unbiased, modern South Africa.

Like most history the dots are all connected; it is impossible to separate the Great Trek from events which took place as far back as the Portuguese explorers because those early events shaped the backdrop to the causes of the Great Trek. Most writers have specialized in the trek itself whereas Binckes has adopted a broader approach that studies the impact of the earlier white incursions and migrations - Portuguese, Dutch, French and British - on southern Africa, to create a better understanding of the trek and its causes. Drawing heavily on eyewitness accounts wherever possible, he has consolidated these with the perspectives of leading historians, the final product being an objective and comprehensive record of one of the seminal events in South African history.

This book shows that the Afrikaner was, is, and always will be, an important player in South African society, but it shows him as part of a bigger picture. The author distances himself from the noble characters stereotyped for the past two centuries and portrays them in their true light: wonderful, courageous people with human feelings, strengths and failings.

Award-winning journalist Charlotte Bauer's warm, witty and wise quest for the meaning of life after youth and how to navigate the menopausal years.

A deliciously funny and sage guide to midlife - an unscientific, flaws-and-all account of one woman's adventures and misadventures through the dark comedy of the wilderness years.

Through her own experiences as a fifty-something woman, and those of her three sisters, her indomitable mum and rebellious auntie, Charlotte tackles the big questions every woman seeks answers to at this time of our lives - chiefly: How the hell am I going to get over being young in a world obsessed with youth?

Written with warmth, wisdom and irreverence this guide to midlife is perfect for readers of Nora Ephron, Caitlin Moran and India Knight.

Zamantungwa Khumalo is a rising star on the South African property scene. An award-winning media and content specialist, she is also a property entrepreneur who bought her first properties at age 27. Now, she wants other people to follow in her footsteps, climbing the property ladder on their way to building wealth and security.

All her passion and expertise is concentrated in this volume, which covers a range of topics vital to property ownership. She also includes interviews with leading property industry experts like Gil Sperling, Michelle Dickens, and Silindile Leseyane who is the chairperson of Sakhisizwe Property Stokvel.

This book is aimed at helping a wide range of people – women, young professionals, and also men who want to buy property but don’t quite know how to go about it – to take that first step.

As she says in her introduction: ‘My hope is that this book will help to make your property dreams come true.’

A Desire to Return to the Ruins looks at the contentious issues of land reform and restitution in post-apartheid South Africa. It tells the stories of communities engaged in a battle to regain land forcefully taken away from them and their forebears during the apartheid years.

The stories range from successful claims that have turned communities against one another, their long struggle against government’s bureaucracy and the political wrangling around the land issue.

In die jare 1891 tot 1893 het ongeveer 770 persone Transvaal verlaat en na Angola en Duits-Suidwes-Afrika getrek om hulle heil daar te soek. Dit staan bekend as die “sesde” Dorslandtrek.

Sowat 45 De Jagers het in verskillende groepe aan hierdie epiese trek deelgeneem. Ná die sesde Dorslandtrek het hulle tussen Angola, Suidwes-Afrika, Suid-Afrika en selfs Kenia rondgeswerf en verdere avonture oor die hele Suider-Afrika beleef. Sommige De Jagers het in 1928 van Angola na Suidwes-Afrika getrek en hulle daar gevestig, terwyl ander eers in 1958 uit Angola gerepatrieer is.

Uit die beperkte beskikbare bronne is die verskillende trekroetes van die sesde Dorslandtrek gerekonstrueer en vir die eerste keer word ’n kaart van die verskillende trekroetes gepubliseer. ’n Geslagregister van bykans 1800 afstammelinge en aangetroude familielede van die De Jagers van die sesde Dorslandtrek en byna 500 foto’s vorm ’n omvattende beeld van hierdie familiegeskiedenis.

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

Gendered and Sexual Lives of South African Youth: Young People’s Stories of Identity speaks to a gap in current work on South African youth – namely, the lack of a sustained gendered analysis of young people’s lives in the post-apartheid context. This lack has meant that opportunities to engage young people in discourses of equality and non-violence continue to be marginal. High rates of gendered and sexual violence fueled by continuing gendered inequalities, alongside its intersections with other forms of inequity, provide the impetus for the project. The book project showcases the work undertaken by the authors, who have employed participatory research methodologies with diverse groups of young people.

This research provides the opportunity to engage with youth in ways that depart significantly from moralistic and protectionist standpoints in relation to gender and sexuality, while enabling them to develop a critical consciousness about their gendered and sexual identifications and lives. The authors’ work explores young people’s experiences of and identifications with gender and sexuality and its intersections with other categories such as race, class, age, or place. It brings to the forefront the knowledge and expertise that young people have about their own experiences and lives, and the ways in which they might be able to live freely, equally and without violence.

The book will interest researchers and policymakers who seek to advance the interests of South African youth as well as mainstream readers who seek to expand their understanding of the topic.

Township Economy provides a unique insight into township informal business and entrepreneurship. It is set in the post-apartheid period, in the third decade of Africa’s democracy and draws on evidence collected from 2010-2018 in 10 township sites, nine in South Africa and one in Namibia. The book focuses on micro-enterprises, the business strategies of township entrepreneurs and the impact of autonomous informal economic activities on urban life.

The book is unique in approach and content. It looks at spatial influences at various gradients, from the city-wide level, to objects, to invisible infrastructure. The analysis examines the influence of power as a tool to dominate and control and thus constraint inclusive opportunities.

This captivating book will be of interest academic researchers, university students and specialists in business studies, urbanism, politics and socio-economic development.