More than any other writer, Raymond Chandler (1888-1959) is
responsible for raising detective stories from the level of pulp
fiction to literature. Chandler's hard-boiled private eye Philip
Marlowe set the standard for rough, brooding heroes who managed to
maintain a strong sense of moral conviction despite a cruel and
indifferent world. Chandler's seven novels, including The Big Sleep
(1939) and The Long Goodbye (1953), with their pessimism and grim
realism, had a direct influence on the emergence of film noir.
Chandler worked to give his crime novels the flavor of his adopted
city, Los Angeles, which was still something of a frontier town,
rife with corruption and lawlessness. In addition to novels,
Chandler wrote short stories and penned the screenplays for several
films, including Double Indemnity (1944) and Strangers on a Train
(1951). His work with Billy Wilder and Alfred Hitchcock on these
projects was fraught with the difficulties of collaboration between
established directors and an author who disliked having to edit his
writing on demand. Creatures of Darkness is the first major
biocritical study of Chandler in twenty years. Gene Phillips
explores Chandler's unpublished script for Lady in the Lake,
examines the process of adaptation of the novel Strangers on a
Train, discusses the merits of the unproduced screenplay for
Playback, and compares Howard Hawks's director's cut of The Big
Sleep with the version shown in theaters. Through interviews he
conducted with Wilder, Hitchcock, Hawks, and Edward Dmytryk over
the past several decades, Phillips provides deeper insight into
Chandler's sometimes difficult personality. Chandler's wisecracking
Marlowe has spawned a thousand imitations. Creatures of Darkness
lucidly explains the author's dramatic impact on both the literary
and cinematic worlds, demonstrating the immeasurable debt that both
detective fiction and the neo-noir films of today owe to Chandler's
stark vision.
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