The re-emergence into critical esteem of the literature of the
English mid-nineteenth century has been one of the post-war
excitements for students and general readers. Mid-nineteenth
century literature is not simply the best body of literature the
English have produced. It happens also to be literature that has a
practical interest for ourselves. We live so plainly in its wake.
The problems being faced a hundred years ago are the problems still
facing ourselves, such as the continued supremacy of science and
its methods and the consequently progressive disappearance of what
was called the supernatural. Nineteenth-century literature,
however, is interesting for other reasons than extended topicality,
offering infinite aesthetic riches, as Geoffrey Tillotson discusses
in this volume of essays.
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