Improvisation informs a vast array of human activity, from creative
practices in art, dance, music, and literature to everyday
conversation and the relationships to natural and built
environments that surround and sustain us. The two volumes of the
Oxford Handbook of Critical Improvisation Studies gather
scholarship on improvisation from an immense range of perspectives,
with contributions from more than sixty scholars working in
architecture, anthropology, art history, computer science,
cognitive science, cultural studies, dance, economics, education,
ethnomusicology, film, gender studies, history, linguistics,
literary theory, musicology, neuroscience, new media,
organizational science, performance studies, philosophy, popular
music studies, psychology, science and technology studies,
sociology, and sound art, among others.
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