Will novels and stories be relevant in the next millenium, when the
boundaries between illusion and reality, and observer and observed,
may dissipate in a whirl of images, signals, and data? This essay
collection divines the prospects of fiction in the information age
by examining cyberpunk literature. A movement less than a decade
old, cyberpunk is driven by deep concerns about society, ethics,
and new technology and has been defined as the literature of the
first generation of science-fiction writers actually to live in a
science-fiction world. These essays were first presented at the
1989 annual J. Lloyd Eaton Conference on Science Fiction and
Fantasy Literature. They address concerns common not only to
cyberpunk and traditional science-fiction scholars, critics, and
writers but to their counterparts outside the genre as well.
Interdisciplinary in perspective, the essays consider the origins
of cyberpunk, the appropriation of its conventions by the mass
media, the literature's paradoxical retrogressive/iconoclastic
nature, cyberpunk's affinities to and deviations from both
traditional science fiction and postmodernist literature, the
parameters and components of the cyberpunk canon, and the
movement's future course. Some essays are theoretical, but all are
grounded in works familiar to serious science-fiction readers:
""Neuromancer"", ""Frontera"", ""Deserted Cities of the Heart"",
""Islands in the Net"", ""Great Sky River"", the ""Mirrorshades""
anthology, and others; cyberpunk TV and cinema like the Max
Headroom programmes, ""Blade Runner"", and ""Tron""; and precursory
literature, including ""Frankenstein"", ""Le Roman de l'avenir"",
""Ralph 124C 41 +"" and ""A Clockwork Orange"".
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