This set of three organ improvisations, each based on a liturgical
text, is written in a quintessentially English style: largely
diatonic but not unremittingly consonant, flowingly melodic,
texturally rich, and steered away from predictability by constantly
varying bar- and phrase-lengths. Organists will find this a
usefully versatile set of voluntaries, or an unusual and rewarding
recital piece.
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