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Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900

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Perspectives on Gender in Post-1945 German Literature (Hardcover) Loot Price: R3,272
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Perspectives on Gender in Post-1945 German Literature (Hardcover): Georgina Paul

Perspectives on Gender in Post-1945 German Literature (Hardcover)

Georgina Paul

Series: Studies in German Literature Linguistics and Culture

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Loot Price R3,272 Discovery Miles 32 720 | Repayment Terms: R307 pm x 12*

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Masculinist and feminist worldviews in post-1945 German literature, and the possibility of a dynamic reconceptualization of human subjectivity. Rooted in Enlightenment rationalism, modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency, rational control and self-containment, the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high, and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature, tradition, myth and spirituality, intuition, relationality, flux. In recent decades studies have examined the cultural crisis of German modernity, notably at the turn of the nineteenth to the twentieth century, as a crisis of masculinity. Feminist critiques, meanwhile, have viewed cultural history as male-generated and "phallocentric," in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side, investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major, thematically related texts by male and female authors, including Ingeborg Bachmann's novel Malina (1971) and Max Frisch's Mein Name sei Gantenbein (1964); Frisch's Homo Faber (1957) and Christa Wolf's Störfall (1987); Elfriede Jelinek's Die Klavierspielerin and Rainald Goetz's Irre (both 1983); and Heiner Müller's Die Hamletmaschine (1977) and Christa Wolf's Kassandra (1983). Finally, Barbara Köhler's eight-poem cycle "Elektra. Spiegelungen" (written1984-85; published 1991) is considered as offering a way past the "impasse" of the male and female viewpoints. Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.

General

Imprint: Camden House
Country of origin: United States
Series: Studies in German Literature Linguistics and Culture
Release date: October 2009
First published: 2009
Authors: Georgina Paul
Dimensions: 229 x 152 x 22mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 268
ISBN-13: 978-1-57113-423-3
Categories: Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
Books > Social sciences > Sociology, social studies > Gender studies > General
LSN: 1-57113-423-9
Barcode: 9781571134233

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