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Narcissus and Pygmalion - Illusion and Spectacle in Ovid's Metamorphoses (Hardcover)
Loot Price: R2,473
Discovery Miles 24 730
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Narcissus and Pygmalion - Illusion and Spectacle in Ovid's Metamorphoses (Hardcover)
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Nature imitates art-not a paradox from Oscar Wilde's pen, but
instead the bold formulation of the Latin poet Ovid (43 BCE-17 CE),
marking a radical turning point in ancient aesthetics, founded on
the principle of mimesis. For Ovid, art is independent of reality,
not its mirror: by enhancing phantasia, the artist's creative
imagination and the simulacrum's primacy over reality, Ovid opens
up unexplored perspectives for future European literature and art.
Through an examination of Narcissus and Pygmalion, figures of
illusion and desire, who are the protagonists of two major episodes
of the Metamorphoses, Rosati sheds light on some crucial junctures
in the history of reception and aesthetics. Narcissus and Pygmalion
has, since its first publication in Italian, contributed to the
poet's critical fortunes over the past few decades through its
combination of sophisticated literary critical thinking and patient
argument applied to the poetics of self-reflexivity and, in
particular, to the fundamental interface between the verbal and the
visual in the Metamorphoses. A substantial introduction accompanies
this new translation into English, positioning Rosati's work anew
in the forefront of current discussions of Ovidian aesthetics and
intermediality, in the wake of the postmodern culture of the
simulacrum.
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