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The Late Paintings of Velazquez - Theorizing Painterly Performance (Paperback) Loot Price: R1,827
Discovery Miles 18 270
The Late Paintings of Velazquez - Theorizing Painterly Performance (Paperback): Giles Knox

The Late Paintings of Velazquez - Theorizing Painterly Performance (Paperback)

Giles Knox

Series: Visual Culture in Early Modernity

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Loot Price R1,827 Discovery Miles 18 270 | Repayment Terms: R171 pm x 12*

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The startling conclusion of The Late Paintings of Velazquez is that Diego Velazquez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Velazquez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Velazquez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Velazquez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Velazquez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Velazquez's painterly performance as text, Knox deciphers how Velazquez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.

General

Imprint: Routledge
Country of origin: United Kingdom
Series: Visual Culture in Early Modernity
Release date: October 2016
First published: 2009
Authors: Giles Knox
Dimensions: 246 x 174 x 14mm (L x W x T)
Format: Paperback
Pages: 208
ISBN-13: 978-1-138-27464-8
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > Art forms, treatments & subjects > General
Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > General
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LSN: 1-138-27464-X
Barcode: 9781138274648

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