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Studying Waltz with Bashir (Paperback)
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Studying Waltz with Bashir (Paperback)
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On its release in 2008, Ari Folman's animated documentary Waltz
with Bashir was heralded as a brilliant and original exploration of
trauma, and trauma's impact on memory and the recording of history.
But it is surprising that although the film is seen through the
eyes of one particular soldier, a viewpoint portrayed using highly
experimental forms of animation, this has not prevented Waltz with
Bashir from being regarded as both an "autobiographical" and
"honest" account of the director's own experiences in the 1982
Lebanon war. In fact, the film won several documentary awards, and
even those critics focusing on the representation of trauma suggest
that this trauma must be authentic. In this sense, it is the
documentary form rather than the animation that has had the most
influence upon critics. As Studying Waltz with Bashir will show, it
is the tension between the two forms that makes the film so complex
and interesting, allowing for multiple themes and discourses to
coexist, including Israel's role during the Lebanon War and the
impact of trauma upon narrative, but also the representation of
Holocaust memory and its role in the formation of Israeli identity.
In addition to these themes that coexist by virtue of the film's
unusual animated documentary format, Waltz with Bashir can also be
discussed in relation to a broad range of contexts; for example,
the representation of war in film, the history of Israeli Holocaust
cinema, and recent trends in experimental animation, such as
Richard Linklater's Waking Life (2001) and A Scanner Darkly (2006),
as well as Folman's most recent live action/animation work The
Congress (2013).
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