This book critically engages with the visual appearance of prose
fiction where it is manipulated by authors, from alterations in
typography to the deconstruction of the physical form of the book.
It reappraises the range of effects it is possible to create
through the use of graphic devices and explores why literary
criticism has dismissed such features as either unreadable
experimental gimmicks or, more recently, as examples of the worst
kind of postmodern decadence. Through the examination of
problematical texts which utilize the graphic surface in innovative
and unusual ways, including Samuel Beckett's "Watt"," B.S.
Johnson's "Albert Angelo"," Christine Brooke-Rose's "Thru" "and
Alasdair Gray's "Lanark," " this book demonstrates that an
awareness of the graphic surface can make significant contributions
to interpretation.
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