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Adaptation Theory and Criticism - Postmodern Literature and Cinema in the USA (Hardcover)
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Adaptation Theory and Criticism - Postmodern Literature and Cinema in the USA (Hardcover)
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Traditional critics of film adaptation generally assumed a) that
the written text is better than the film adaptation because the
plot is more intricate and the language richer when pictorial
images do not intrude; b) that films are better when particularly
faithful to the original; c) that authors do not make good script
writers and should not sully their imagination by writing film
scripts; d) and often that American films lack the complexity of
authored texts because they are sourced out of Hollywood. The
'faithfulness' view has by and large disappeared, and
intertextuality is now a generally received notion, but the field
still lacks studies with a postmodern methodology and
lens.Exploring Hollywood feature films as well as small studio
productions, Adaptation Theory and Criticism explores the
intertextuality of a dozen films through a series of case studies
introduced through discussions of postmodern methodology and
practice. Providing the reader with informative background on
theories of film adaptation as well as carefully articulated
postmodern methodology and issues, Gordon Slethaug includes several
case studies of major Hollywood productions and small studio films,
some of which have been discussed before ("Age of Innocence, Gangs
of New York," and "Do the Right Thing") and some that have received
lesser consideration ("Six Degrees of Separation, Smoke,
Smoke""Signals, Broken Flowers," and various Snow White narratives
including "Enchanted, Mirror Mirror, and Snow White and the
Huntsman"). Useful for both film and literary studies students,
Adaptation Theory and Criticism cogently combines the existing
scholarship and uses previous theories to engage readers to think
about the current state of American literature and film.
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