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Shakespeare's Hamlet (Paperback)
Loot Price: R215
Discovery Miles 2 150
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Shakespeare's Hamlet (Paperback)
Series: The Connell Guide To ...
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List price R265
Loot Price R215
Discovery Miles 2 150
You Save R50 (19%)
Expected to ship within 9 - 15 working days
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In the four centuries since Shakespeare's death in 1616, Hamlet has
almost always been regarded as Shakespeare's greatest play. This is
not surprising. As Barbara Everett has observed, Hamlet was not
only "the first great tragedy in Europe for two thousand years"; it
was, and still is, "the world's most sheerly entertaining tragedy,
the cleverest, perhaps even the funniest". The character of Hamlet
utterly dominates the play he so reluctantly inhabits to a degree
that is rivalled only by Prospero in The Tempest. Even when he
isn't on stage, speaking nearly 40% of the play's text, the other
characters are talking and worrying about him. This is the most
obvious reason why Hamlet criticism over the years has been so
Hamlet-centred: many critics, from Coleridge through to A. C.
Bradley and beyond, see the play and its other characters almost
entirely through Hamlet's eyes. In this book Graham Bradshaw sets
out to correct this. For in his view the play is no exception to -
and indeed can be seen as an extreme example of - Shakespeare's
usual dramatic method, which was never to press or even reveal his
own view on controversial issues like the divine right of kings or
honour or ghosts and purgatory, but to "frame" these issues by
assembling characters who think and feel differently about them.
With Shakespeare it is hard, even impossible, to know what he
thinks about (say) revenge or incest or suicide - and Hamlet's view
is often strikingly different from the views of those around him.
If the doubts about whether the Ghost in Hamlet is the messenger of
divine justice or a devilish instrument of damnation were ever
finally resolved, the play would be diminished, or shrivel into a
museum piece.
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