In this collection of essays, contributors consider the
continuing cultural relevance of the cyberpunk genre into the new
millennium. Cyberpunk is no longer an emergent phenomenon, but in
our digital age of CGI-driven entertainment, the information
economy, and globalized capital, we have never more been in need of
a fiction capable of engaging with a world shaped by information
technology. Contributors seek to move beyond the narrow strictures
of cyberpunk as defined in the Eighties and contribute to an
ongoing discussion of how to negotiate exchanges among information
technologies, global capitalism, and human social existence. Essays
offer a variety of perspectives on cyberpunk's diversity and how
this sub-genre remains relevant amidst its transformation from a
print fiction genre into a more generalized set of cultural
practices, tackling the question of what it is that cyberpunk
narratives continue to offer us in those intersections of literary,
cultural, theoretical, academic, and technocultural
environments.
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