Considering how culturally indispensable digital technology is
today, it is ironic that computer-generated art was attacked when
it burst onto the scene in the early 1960s. In fact, no other
twentieth-century art form has elicited such a negative and hostile
response. When the Machine Made Art examines the cultural and
critical response to computer art, or what we refer to today as
digital art. Tracing the heated debates between art and science,
the societal anxiety over nascent computer technology, and the
myths and philosophies surrounding digital computation, Taylor is
able to identify the destabilizing forces that shape and eventually
fragment the computer art movement.
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