Sima Qian (c. 100 B.C.E.) was China's first historian -- he was
known as Grand Astrologer at the court of Emperor Wu during the Han
dynasty -- and, along with Confucius and the First Emperor of Qin,
was one of the creators of imperial China. His "Shiji" (published
for Columbia in a translation by Burton Watson as "Records of the
Grand Historian") not only became the model for the twenty-six
Standard Histories that the historians of each Chinese dynasty
wrote to legitimize the dynastic succession, but also has been an
enormously influential resource to historians, literary scholars,
philosophers, and many others seeking an understanding of early
Chinese history. In "Worlds of Bronze and Bamboo, " Grant Hardy
presents convincing evidence that the "Shiji" is quite unlike such
Western counterparts as the histories of Herodotus and Thucydides,
for, Hardy argues, Sima Qian's work seeks not only to represent but
to influence the world in a manner based on Confucian concepts of
sageliness and "the rectification of names."
Although many scholars have sought close parallels between Sima
Qian and the Greek historians -- either criticizing Sima's work, as
if Western models of historical interpretation could serve as a
template by which to read it, or overemphasizing his "objectivity"
to more closely align his text with these "respectable" Greek
models -- Hardy boldly contends that the Chinese historian never
intended to produce a consistent, closed interpretation of the
past. Instead, Hardy argues, the "Shiji" is a microcosm in which
Sima Qian sought to represent the open-endedness and multivalence
of the world around him, revealing and reinforcing the natural
order.
In mapping out this model of the world, Sima embodies the
historian as sage rather than chronicler. Transcending mere
accuracy in recording events, such a historian seeks not to present
an opinion about what happened in the past, buttressed with
rational arguments and pertinent evidence, but to penetrate the
outer details of an incident and discover the moral truths it
embodies. Thus intuiting the moral significance of events, the
sage-historian delineates the Way and offers his readers a chance
to become more in tune with the natural order.
Illustrating his provocative theses about the "Shiji" by
analyzing Sima Qian's handling of specific historical personages
and episodes such as the First Emperor of the Qin, the hereditary
house of Confucius, and the conflicts that ended with the founding
of the Han dynasty, Hardy both extends and challenges existing
interpretations of this crucial yet understudied text and sheds
light on its puzzles and incongruities.
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