Providing a wide-ranging account of the narrative properties of
photographs, Greg Battye focuses on the storytelling power of a
single image, rather than the sequence. Drawing on ideas from
painting, drawing, film, video, and multimedia, he applies
contemporary research and theories drawn from cognitive science and
psychology to the analysis of photographs. Using genuine forensic
photographs of crime scenes and accidents, the book mines human
drama and historical and sociological authenticity to argue for the
centrality of the perception and representation of time in
photographic narrativity.
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