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Feeling Film: Affect and Authenticity in Popular Cinema (Paperback)
Loot Price: R1,409
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Feeling Film: Affect and Authenticity in Popular Cinema (Paperback)
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Cinema has the capacity to enflame our passions, to arouse our
pity, to inspire our love. Feeling Film is a book that examines the
emotional encounters found in contemporary popular cinema cultures.
Examining melodrama, film noir, comic book franchises, cult indie
movies and romantic comedy within the context of a Jungian-informed
psychology and contemporary movements in film-philosophy, this book
considers the various kinds of feelings engendered by our everyday
engagements with cinema. Greg Singh questions the popular idea of
what cinema is, and considers what happens during the anticipation
and act of watching a movie, through to the act of sharing our
feelings about them, the reviewing process and repeat-viewing
practices. Feeling Film does this through a critique of purely
textual approaches, instead offering a model which emphasises
lived, warm (embodied and inhabited) psychological relationships
between the viewer and the viewed. It extends the narrative action
of cinema beyond the duration of the screening into realms of
anticipation and afterlife, in particular providing insight into
the tertiary and participatory practices afforded through rich
media engagement. In rethinking the everyday, co-productive
relationship between viewer and viewed from this perspective,
Feeling Film reinstates the importance of feelings as a central
concern for film theory. What emerges from this study is a
re-engagement of the place of emotion, affect and feeling in film
theory and criticism. In reconsidering the duration of the
cinematic encounter, Feeling Film makes a significant contribution
to the understanding of the inter-subjective relationship between
viewer and viewed. It takes post-Jungian criticism into the realms
of post-cinema technologies and reignites the dialogue between
depth psychology and the study of images as they appear to, and
for, us. This book will make essential reading for those interested
in the relationship between film and aspects of depth psychology,
film and philosophy students at advanced undergraduate and
postgraduate levels, film and cinema academics and cinephiles.
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