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Applied Grammatology - Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Paperback)
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Applied Grammatology - Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys (Paperback)
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Originally published in 1984. In Applied Grammatology, Gregory
Ulmer provides an extraordinary introduction to the third,
"applied" phase of grammatology, the "science of writing," outlined
by Jacques Derrida in Of Grammatology. Ulmer looks to the later
experimental works of Derrida (beginning with Glas and continuing
through Truth in Painting and The Post Card). In these, he
discovers a critical methodology radically different from the
deconstruction for which Derrida is known. At the same time, he
finds the source of a new pedagogy for all the humanities, one
based on grammatology and appropriate to the era of audiovisual
communications in which we live. Detractors of Derrida often accuse
him of superficial wordplay and of using images and puns as
nonfunctional subversions of academic conventions. Ulmer argues
that there is, in fact, a fully developed use of homonyms in
Derrida's style, which produces its own distinctive knowledge and
insight. Derrida's experiments with images, moreover-his expansion
of descriptions of everyday objects such as umbrellas, matchboxes,
and post cards into cognitive models-serve to reveal a simplicity
underlying intellectual discourse, which could be used to eliminate
the gap separating the general public from specialists in cultural
studies. Comparing the stylistic innovations of Derrida with
Jacques Lacan's use of puns and diagrams, with the German
performance artist Joseph Beuys's demonstration of models, and with
the "montage writing" of the films of Sergei Eisenstein, Ulmer
explores the possibility of deriving a postmodernist pedagogy from
Derrida's texts. The first study to suggest the full potential of
the program available in Derrida's writings, Applied Grammatology
is also the first outline of a Derridean alternative to
deconstructionism. With its shift away from Derrida's philosophical
studies to his experimental texts, Ulmer's book aims to inaugurate
a new movement in the American adaptation of contemporary French
theory.
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