Greil Marcus, author of "Mystery Train," widely acclaimed as the
best book ever written about America as seen through its music,
began work on this new book out of a fascination with the Sex
Pistols: that scandalous antimusical group, invented in London in
1975 and dead within two years, which sparked the emergence of the
culture called punk. "I am an antichrist " shouted singer Johnny
Rotten--where in the world of pop music did that come from? Looking
for an answer, with a high sense of the drama of the journey,
Marcus takes us down the dark paths of counterhistory, a route of
blasphemy, adventure, and surprise.
This is no mere search for cultural antecedents. Instead, what
Marcus so brilliantly shows is that various kinds of angry,
absolute demands--demands on society, art, and all the governing
structures of everyday life--seem to be coded in phrases, images,
and actions passed on invisibly, but inevitably, by people quite
unaware of each other. Marcus lets us hear strange yet familiar
voices: of such heretics as the Brethren of the Free Spirit in
medieval Europe and the Ranters in seventeenth-century England; the
dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks,
chanting glossolalia; one Michel Mourre, who in 1950 took over
Easter Mass at Notre-Dame to proclaim the death of God; the
Lettrist International and the Situationist International, small
groups of Paris--based artists and writers surrounding Guy Debord,
who produced blank-screen films, prophetic graffiti, and perhaps
the most provocative social criticism of the 1950s and '60s; the
rioting students and workers of May '68, scrawling cryptic slogans
on city walls and bringing France to a halt; the Sex Pistols in
London, recording the savage "Anarchy in the U.K." and "God Save
the Queen."
Although the Sex Pistols shape the beginning and the end of the
story, "Lipstick Traces" is not a book about music; it is about a
common voice, discovered and transmitted in many forms. Working
from scores of previously unexamined and untranslated essays,
manifestos, and filmscripts, from old photographs, dada sound
poetry, punk songs, collages, and classic texts from Marx to Henri
Lefebvre, Marcus takes us deep behind the acknowledged events of
our era, into a hidden tradition of moments that would seem
imaginary except for the fact that they are real: a tradition of
shared utopias, solitary refusals, impossible demands, and
unexplained disappearances. Written with grace and force, humor and
an insistent sense of tragedy and danger, "Lipstick Traces" tells a
story as disruptive and compelling as the century itself.
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