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Three Songs, Three Singers, Three Nations (Hardcover)
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Three Songs, Three Singers, Three Nations (Hardcover)
Series: The William E. Massey Sr. Lectures in American Studies
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Greil Marcus has been one of the most distinctive voices in
American music criticism for over forty years. His books, including
Mystery Train and The Shape of Things to Come, traverse soundscapes
of folk and blues, rock and punk, attuning readers to the
surprising, often hidden affinities between the music and broader
streams of American politics and culture. Drawn from Marcus's 2013
Massey Lectures at Harvard, his new work delves into three episodes
in the history of American commonplace song: Bascom Lamar
Lunsford's 1928 "I Wish I Was a Mole in the Ground," Geeshie
Wiley's 1930 "Last Kind Words Blues," and Bob Dylan's 1964 "Ballad
of Hollis Brown." How each of these songs manages to convey the
uncanny sense that it was written by no one illuminates different
aspects of the commonplace song tradition. Some songs truly did
come together over time without an identifiable author. Others draw
melodies and motifs from obscure sources but, in the hands of a
particular artist, take a final, indelible shape. And, as in the
case of Dylan's "Hollis Brown," there are songs that were written
by a single author but that communicate as anonymous productions,
as if they were folk songs passed down over many generations. In
three songs that seem to be written by no one, Marcus shows, we
discover not only three different ways of talking about the United
States but three different nations within its formal boundaries.
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