For the past few decades Hal Foster's critical gaze has
encompassed the increasingly complex machinery of the culture
industry. His observations push the boundaries of cultural
criticism to establish a vantage point from which the seemingly
disparate agendas of artists, patrons, and critics have a telling
coherence. "Recodings "has become the classic "primer in
poststructuralist debate" ("Village Voice"). The essays present a
constellation of concerns about the limits and myths of
postmodernism, the uses and abuses of historicism, the connections
of recent art and architecture with media spectacle and
institutional power, and the transformations of the avant garde and
of cultural politics generally.
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