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Art History after Modernism (Paperback)
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Art History after Modernism (Paperback)
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""Art history after modernism" does not only mean that art looks
different today; it also means that our discourse on art has taken
a different direction, if it is safe to say it has taken a
direction at all."
So begins Hans Belting's brilliant, iconoclastic reconsideration of
art and art history at the end of the millennium, which builds upon
his earlier and highly successful volume, "The End of the History
of Art?." "Known for his striking and original theories about the
nature of art," according to the "Economist," Belting here examines
how art is made, viewed, and interpreted today. Arguing that
contemporary art has burst out of the frame that art history had
built for it, Belting calls for an entirely new approach to
thinking and writing about art. He moves effortlessly between
contemporary issues--the rise of global and minority art and its
consequences for Western art history, installation and video art,
and the troubled institution of the art museum--and questions
central to art history's definition of itself, such as the
distinction between high and low culture, art criticism versus art
history, and the invention of modernism in art history. Forty-eight
black and white images illustrate the text, perfectly reflecting
the state of contemporary art.
With "Art History after Modernism," Belting retains his place as
one of the most original thinkers working in the visual arts
today.
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