The study examines autobiographies of non-exiled writers after the
war as testimonies to a 'crisis of biography' sparked off by the
National Socialist dictatorship. The reflection on biographical
narrative manifest in the experimental approaches taken and the
recent research discussion on this subject both call for a
systematic review of the theoretical foundations of autobiographic
narrative. The differing constructions of identity and
individuality are all traceable to the vitalist model of biography
common to the writers in question. The sudden awareness of the
problems involved in talking about one's own life had the effect of
problematizing the conventions and typical structures of the genre.
Ultimately most of the writers belonging to the right-wing
conservative camp before 1933 engaged in a radically self-critical
reckoning with their own past.
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