Technology has always been inseparable from the development of
music. But in the twentieth century a rapid acceleration took
place: a new "machine music" came into existence, electronic
musical instruments appeared, and composers sometimes seemed more
like sound technicians than musicians. In this book Hans-Joachim
Braun and his co-authors offer a wide-ranging and fascinating look
at the relationship of technology and modern music. Topics range
from the role of Yamaha in Japan's musical development to the
social construction of the synthesizer; from the player piano as
precursor of computer music to the musical role of airplanes and
locomotives; from the growth of one independent recording studio
(from "Polka to Punk") to the origins of the 45-RPM record. Other
chapters consider violin vibrato and the phonograph, Jimi Hendrix,
and the aesthetic challenge of soundsampling. The book concludes
with a look at the current situation, and perspectives for its
future in electronic music.
Contributors: Barbara Barthelmes, Karin Bijsterveld,
Hans-Joachim Braun, Martha Brech, Hugh Davies, Bernd Enders,
Geoffrey Hindley, Juergen Hocker, Mark Katz, Tatsuya Kobayashi,
James P. Kraft, Alexander B. Magoun, Rebecca McSwain, Andre
Millard, Helga de la Motte-Haber, Trevor Pinch, Susan
Schmidt-Horning, and Frank Trocco.
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