In the course of the 20th century there was a growing discrepancy
between literary dramatics and the modern stage which led to
serious dislocations. Nowadays we are faced with a multiplicity of
theatrical texts which can no longer be described using the
categories of a poetology of drama a " including its epic
extensions, nor can they be explained exclusively from the changes
and conditions of stage aesthetics. The relationship between drama
and the theatre is in a state of flux and constantly requires
innovation from both sides.
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