"Turley presents a thoroughly-researched literay and cultural
history of the transgressive pirate figure in the early
eighteenth-century."
--"Journal of Folklore Research"
Despite, or perhaps because of, our lack of actual knowledge
about pirates, an immense architecture of cultural mythology has
arisen around them. Three hundred years of novels, plays, painting,
and movies have etched into the popular imagination contradictory
images of the pirate as both arch-criminal and anti-hero par
excellence. How did the pirate-a real threat to mercantilism and
trade in early-modern Britain-become the hypermasculine anti-hero
familiar to us through a variety of pop culture outlets? How did
the pirate's world, marked as it was by sexual and economic
transgression, come to capture our collective imagination?
In Rum, Sodomy, and the Lash, Hans Turley delves deep into the
archives to examine the homoerotic and other culturally
transgressive aspects of the pirate's world and our prurient
fascination with it. Turley fastens his eye on historical
documents, trial records, and the confessions of pirates, as well
as literary works such as Robinson Crusoe, to track the birth and
development of the pirate image and to show its implications for
changing notions of self, masculinity, and sexuality in the modern
era.
Turley's wide-ranging analysis provides a new kind of history of
both piracy and desire, articulating the meaning of the pirate's
contradictory image to literary, cultural, and historical
studies.
General
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