Eliot's Four Quartets is arguably the finest long poem in modern
English literature. It is also one that presents considerable
problems of interpretation. In Word Unheard, first published in
1969, Blamires aims to unravel some of these problems by guiding
the reader line by line through the poem, blending paraphrase with
commentary. Blamires pays particular attention to the philosophical
and theological dimensions of the poem and to its multifarious
personal, historical and literary allusions. This title will be of
interests to students of literature.
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