Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Impressive Shakespeare - Identity, Authority and the Imprint in Shakespearean Drama (Hardcover)
Loot Price: R4,297
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Impressive Shakespeare - Identity, Authority and the Imprint in Shakespearean Drama (Hardcover)
Series: Material Readings in Early Modern Culture
Expected to ship within 12 - 17 working days
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Impressive Shakespeare reassesses Shakespeare's relationship with
"print culture" in light of his plays' engagement with the language
and material culture of three interrelated "impressing
technologies": wax sealing, coining, and typographic printing. It
analyses the material and rhetorical forms through which drama was
thought to "imprint" early modern audiences and readers with ideas,
morals and memories, and-looking to our own cultural moment-shows
how Shakespeare has been historically constructed as an
"impressive" dramatist. Through material readings of four
plays-Coriolanus, A Midsummer Night's Dream, Measure for Measure
and The Winter's Tale-Harry Newman argues that Shakespeare deploys
the imprint as a self-reflexive trope in order to advertise the
value of his plays to audiences and readers, and that in turn the
language of impression has shaped, and continues to shape,
Shakespeare's critical afterlife. The book pushes the boundaries of
what we understand by "print culture", and challenges assumptions
about the emergence of concepts now central to Shakespeare's
perceived canonical value, such as penetrating characterisation,
poetic transformation, and literary fatherhood. Harry Newman's
suggestive analysis of techniques and tropes of sealing, coining
and printing produces a revelatory account of Shakespearean
creative poetics. It's sustainedly startling in its rereading of
familiar lines - but the chapter I found most original is on
Measure for Measure: Newman is the first critic to attempt to
interpret the play's authorial status as part of its own thematic
and linguistic interrogation of illegitimacy and counterfeiting. He
makes authorship matter in a literary and creative, rather than a
quantitative and statistical, sense. Impressive Shakespeare is a
brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey
Professor of Shakespeare Studies, Hertford College, Oxford
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