The journalist and critic Siegfried Kracauer is best remembered
today for his investigations of film and other popular media, and
for his seminal influence on Frankfurt School thinkers like Theodor
Adorno. Less well known is his earlier work, which offered a
seismographic reading of cultural fault lines in Weimar-era
Germany, with an eye to the confrontation between religious revival
and secular modernity. In this discerning study, historian Harry T.
Craver reconstructs and richly contextualizes Kracauer's early
output, showing how he embodied the contradictions of modernity and
identified the quasi-theological impulses underlying the cultural
ferment of the 1920s.
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