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Mad Loves - Women and Music in Offenbach's Les Contes d'Hoffmann (Paperback)
Loot Price: R750
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Mad Loves - Women and Music in Offenbach's Les Contes d'Hoffmann (Paperback)
Series: Princeton Studies in Opera
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In a lively exploration of Jacques Offenbach's final masterpiece,
Heather Hadlock shows how Les Contes d'Hoffmann summed up not only
the composer's career but also a century of Romantic culture. A
strange fusion of irony and profundity, frivolity and nightmare,
the opera unfolds as a series of dreamlike episodes, peopled by
such archetypes as the Poet, the Beautiful Dying Girl, the
Automaton, the Courtesan, and the Mesmerist. Hadlock shows how
these episodes comprise a collective unconscious. Her analyses
touch on topics ranging from the self-reflexive style of the
protagonist and the music, to parallels between nineteenth-century
discourses of theater and medical science, to fascination with the
hysterical female subject. Les Contes d'Hoffmann is also examined
as both a continuation and a retraction of tendencies in
Offenbach's earlier operettas and opera-comiques. Hadlock
investigates the political climate of the 1870s that influenced the
composer's vision and the reception of his last work. Drawing upon
insights from feminist, literary, and cultural theory, she
considers how the opera's music and libretto took shape within a
complex literary and theatrical tradition. Finally, Hadlock ponders
the enigmas posed by the score of this unfinished opera, which has
been completed many times and by many different hands since its
composer's death shortly before the premiere in 1881. In this book,
the "mad loves" that drive Les Contes d'Hoffmann--a poet's love, a
daughter's love, erotic love, and fatal attraction to music--become
figures for the fascination exercised by opera itself.
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