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Paul Wegener - Early Modernism in Film (German, Hardcover)
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Paul Wegener - Early Modernism in Film (German, Hardcover)
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Text in German. The title of Paul Wegener's film Hans Trutz im
Schlaraffenland, dating from 1917, alludes to Pieter Bruegel's
well-known picture Cockaigne (Das Schlaraffenland). For Wegener art
history, which he counted as one of his 'favourite occupations'
throughout his life, was an inexhaustible treasury of images.
Although he did not always allude so openly to the relationship
between film and other arts as he does here, it is always a
tangible presence. Wegener was one of the most striking actors in
the German theatre, from the time he joined Max Reinhardt's
Deutsches Theater (1906) until his death in 1948. And at a very
early stage he mastered the new pictorial language of the cinema,
as a leading performer, director and author of many
fairy-tale-like, imaginative films. He started in 1913 with his
Student of Prague, which immediately brought him world fame. The
high point was the 1920 film The Golem (with sets by Hans Poelzig),
which played in New York, for example, for eleven months. Films
like these placed Wegener at the beginning of a brilliant epoch in
German film art. Wegener's pictorial world is seen both in the
context of the art of his period and in a retrospective view of the
history of the motif. Pictorial comparisons and analyses from the
point of view of interdisciplinary iconography are revealing about
Wegener's position in artistic development. Unknown aspects emerge,
which show Wegener's personality and work in a new light.
Comparative observation shows that this work is the film variant on
the great Neo-Romantic renewal movement, which affected all fields
of life and art at the beginning of our century. It has
increasingly attracted academic attention in recent years, adding
an interesting early phase to the excessively one-sided image of
Modernism.
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