Despite its popularity when it first appeared in print in 1600,
"Every Man Out of His Humour" has never appeared as a single modern
critical edition until now. The volume's introduction and
annotations convey early modern obsessions with wealth and
self-display by providing historical contexts and pointing out the
continuity of those obsessions into modern life. The play is of
interest because of its influence on the course of city comedy and
its wealth of information about social relationships and colloquial
language at the end of Elizabeth's reign.
Jonson's experiments in generating theatrical meaning continued
throughout his career, but "Every Man Out of His Humour"--with its
youthful vigour and extraordinary visualizations of the urban
capacity for self-deceit--is a text that enriches the understanding
of all the plays that come after it.
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