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The Breaking of Style - Hopkins, Heaney, Graham (Paperback, New)
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The Breaking of Style - Hopkins, Heaney, Graham (Paperback, New)
Series: The Richard Ellmann Lectures in Modern Literature
Expected to ship within 10 - 15 working days
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Style is the material body of lyric poetry, Helen Vendler suggests.
To cast off an earlier style is to do an act of violence to the
self. Why might a poet do this, adopting a sharply different form?
In this exploration of three kinds of break in poetic style,
Vendler clarifies the essential connection between style and
substance in poetry. Opening fresh perspectives on the work of
three very different poets, her masterful study of changes in style
yields a new view of the interplay of moral, emotional, and
intellectual forces in a poet's work. Gerard Manley Hopkins'
invention of sprung rhythm marks a dramatic break with his early
style. Rhythm, Vendler shows us, is at the heart of Hopkins'
aesthetic, and sprung rhythm is his symbol for danger, difference,
and the shock of the beautiful. In Seamus Heaney's work, she
identifies clear shifts in grammatical "atmosphere" from one poem
to the next-from "nounness" to the "betweenness" of an adverbial
style-shifts whose moral and political implications come under
scrutiny here. And finally Vendler looks at Jorie Graham's
departure from short lines to numbered lines to squared long lines
of sentences, marking a move from deliberation to cinematic
"freeze-framing to coverage, each with its own meaning in this
poet's career. Throughout, Vendler reminds us that what
distinguishes successful poetry is a mastery of language at all
levels-including the rhythmic, the grammatical, and the graphic. A
fine study of three poets and a superb exposition of the craft of
poetry, The Breaking of Style revives our lapsed sense of what
style means.
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