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Theatre as a Prison of Longue Durée (Hardcover, New edition)
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Theatre as a Prison of Longue Durée (Hardcover, New edition)
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For over a hundred years a wildly held assumption has ruled the
debate on the social composition of theatre audiences. This
assumption states that in the period from the late eighteenth
century to the Great War (1773 -1914) theatre audience was
largely elite, till the French Revolution chased them to opera. The
drama performances were sought by petty bourgeois and unskilled
labour force, till, in 1870, the re-conquest of the stage by the
upper bourgeoisie set in. In this study for the first time a large
empirical research is presented to test this ‘master
narrative’. Based on thorough archival research from the past
twenty years, combined with robust statistical analysis, the
conclusion with respect to this still dominant narrative can be
short: it is to be fully rejected.
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