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Epic into Novel - Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Hardcover)
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Epic into Novel - Henry Fielding, Scriblerian Satire, and the Consumption of Classical Literature (Hardcover)
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Epic into Novel looks at Henry Fielding's adaptation of classical
epic in the context of what he called the 'Trade of . . .
authoring'. Fielding was always keen to stress that his novels were
modelled on classical literature. Equally, he was fascinated by-and
wrote at length about-the fact that they were objects to be
consumed. He recognised that he wrote in an age when an author had
to consider himself 'as one who keeps a public Ordinary, at which
all persons are welcome for their Money.' In describing his work,
he alludes both to Homeric epic and to contemporary cookery books.
This tension in Fielding's work has gone unexplored, a tension
between his commitment to a classical tradition and his immersion
in a print culture in which books were consumable commodities. This
interest in the place of the ancients in a world of consumerism was
inherited from the previous generation of satirists. The
'Scriblerians'-among them Jonathan Swift, John Gay, and Alexander
Pope-repeatedly suggest in their work that classical values are at
odds with modern tastes and appetites. Fielding, who had idolised
these writers as a young man, developed many of their satiric
routines in his own writing. But Fielding broke from Swift, Gay,
and Pope in creating a version of epic designed to appeal to modern
consumers. Henry Power provides new readings of works by Swift,
Gay, and Pope, and of Fielding's major novels. He examines
Fielding's engagement with various Scriblerian themes-primarily the
consumption of literature, but also the professionalisation of
scholarship, and the status of the author-and shows ultimately that
Fielding broke with the Scriblerians in acknowledging and
celebrating the influence of the marketplace on his work.
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