Based on the premise that a society's sense of commonality depends
upon media practices, this study examines how Hollywood responded
to the crisis of democracy during the Second World War by creating
a new genre - the war film. Developing an affective theory of genre
cinema, the study's focus on the sense of commonality offers a new
characterization of the relationship between politics and poetics.
It shows how the diverse ramifications of genre poetics can be
explored as a network of experiental modalities that make history
graspable as a continuous process of delineating the limits of
community.
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