Books > Arts & Architecture > History of art / art & design styles > From 1900
|
Buy Now
Waro Kishi - Buildings and Projects (Hardcover)
Loot Price: R1,116
Discovery Miles 11 160
You Save: R340
(23%)
|
|
Waro Kishi - Buildings and Projects (Hardcover)
Expected to ship within 12 - 17 working days
|
Waro Kishi first caught the attention of the architectural world
with his house in Nipponbashi, en elegant townhouse in an Osaka
district full of stores marketing electric and electronic goods.
Like a slender volume of poetry in a shelf otherwise crowded with
how-to books, it is a work of remarkable lightness and
transparency, four storeys high, 13 m deep, but only 2.5 m wide.
The award-winning house, which has a steel-frame structure, is
economically constructed of readily available materials such as
cement boards, yet it is put together with enormous care. The
austerity makes the high-ceilinged dining room, a dramatic eerie on
the top floor, seem that much more luxurious. Kishi was educated at
Kyoto University and opened his own office in Kyoto in 1981. Many
of his buildings are located in the Kansai region, which, besides
Kyoto, includes Osaka, Kobe and Nara. Kansai offers a working
environment for architects that is very different from the one in
Tokyo, where almost anything is permitted. It has an older history
and, arguably, a more complex urban fabric that requires the
observation of certain rules. A narrow frontage such as the one in
Nipponbashi is commonplace in heavily built-up districts. The
discipline that is demanded of someone working under such difficult
conditions has helped to nurture Kishi's work. Born in 1950, Kishi
belongs to the generation of Japanese architects that emerged after
Tadao Ando. Although he has acknowledged the influence of the Oska
architect, Kishi has a very different sensibility. His buildings
are more delicate and subtle, and his designs are less driven by
form. A self-described contrarian, who preferred the works of
architects such as Marcel Breuer and Richard Neutra when many
others were embracing Post-Modernism, he refuses in today's changed
climate to be labelled a Modernist or Miesian.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.