This study explores how British identity has been explored and
renegotiated by contemporary writers. It starts by examining the
new emphasis on space and place that has emerged in recent cultural
analysis, and shows how this spatial emphasis informs different
literary texts. Having first analysed a series of novels that draw
an implicit parallel between the end of the British Empire and the
break-up of the unitary British state, the study explores how
contemporary writing in Northern Ireland, Scotland and Wales
contributes to a sense of nationhood in those places, and so
contributes to the break-up of Britain symbolically. Dix argues
that the break-up of Britain is not limited to political devolution
in Northern Ireland, Scotland and Wales. It is also an imaginary
process that can be found occurring on a number of other conceptual
coordinates. Feminism, class, regional identities and ethnic
communities are all terrains on which different writers carry out a
fictional questioning of received notions of Britishness and so
contribute in different ways to the break-up of Britain.>
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