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Beckett and Bion - The (Im)Patient Voice in Psychotherapy and Literature (Paperback, New)
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Beckett and Bion - The (Im)Patient Voice in Psychotherapy and Literature (Paperback, New)
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This book focuses on Samuel Beckett s psychoanalytic psychotherapy
with W. R. Bion as a central aspect both of Beckett s and Bion s
radical transformations of literature and psychoanalysis. The
recent publication of Beckett s correspondence during the period of
his psychotherapy with Bion provides a starting place for an
imaginative reconstruction of this psychotherapy, culminating with
Bion s famous invitation to his patient to dinner and a lecture by
C. G. Jung. Following from the course of this psychotherapy, Miller
and Souter trace the development of Beckett s radical use of
clinical psychoanalytic method in his writing, suggesting the
development within his characters of a literary-analytic working
through of transference to an idealized auditor known by various
names, apparently based on Bion. Miller and Souter link this
pursuit to Beckett s breakthrough from prose to drama, as the
psychology of projective identification is transformed to physical
enactment. They also locate Bion s memory and re-working of his
clinical contact with Beckett, who figures as the "patient zero" of
Bion s pioneering postmodern psychoanalytic clinical theories.This
reading of Beckett and Bion is not simply interpretive but a
construction that has arisen from a very dynamic process, full of
hypothesis and surprise. Far from negating other readings, it adds
density to the textured understanding of these two brilliant
thinkers, each formally in different lines of work but joined
through what Bion himself might call a "reciprocal perception" of
psychoanalysis. It is reciprocal because Beckett transformed
psychoanalytic thinking into a literary genre while Bion
transformed psychoanalytic thinking into process understanding.
Each utilized the same object, but with different attentions to
different ends. The structure of the book is divided into two
parts. Part I begins with a biographical introduction of Beckett
and includes a discussion of Beckett s early metapsychological
monograph, "Proust." It presents Beckett s two years in
psychotherapy, between 1934 and 193, and addresses the
institutional contexts in which this psychotherapy took place, and
also discusses of Wilfred Bion s history and background. Part II
addresses Beckett s radical use of free association as a literary
form and examines Beckett s Novellas, the Trilogy, and his creative
transition from prose to drama. It concludes with an exploration of
Bion s theoretical use of his work with Beckett."
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