In 1860, Queen Victoria sent her eighteen-year-old son, Albert
Edward, Prince of Wales, on a goodwill mission to Canada and the
United States. The young heir-apparent (later King Edward VII) had
not yet gained his reputation as a fashion setter and rake, but he
nevertheless attracted enormous crowds both in Canada, where it was
the first royal visit, and in the United States. Civic leaders
hosted the visitor in princely style, decorating their towns with
triumphal arches and organizing royal entries, public processions,
openings, and grand balls.
In "Royal Spectacle," Ian Radforth recreates these displays of
civic pride by making use of the many public and private accounts
of them, and he analyses the heated controversies the visit
provoked. When communities rushed to honour the prince and put
themselves on display, social divisions inadvertently became part
of the spectacle seen by the prince and described by visiting
journalists. Street theatre reached a climax in Kingston, where the
Prince of Wales could not disembark from his steamer because of the
defiance of thousands of Orangemen dressed in their brilliant
regalia and waiving their banners.
Contemporary depictions of the tour provide an opportunity to
interpret the cultural values and social differences that shaped
Canada during the Confederation decade and the United States on the
eve of the Civil War. Topics explored include Orange-Green
conflict, First Nations and the politics of public display,
contested representations of race and gender, the tourist gaze, and
meanings of crown and empire. An original and erudite study, "Royal
Spectacle" contributes greatly to historical research on public
spectacle, colonial and national identities, Britishness in the
Atlantic world, and the history of the monarchy.
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