In Malina, originally published in German in 1971, Ingeborg
Bachmann invites the reader into a world stretched to the very
limits of language. An unnamed narrator, a writer in Vienna, is
torn between two men: viewed, through the tilting prism of
obsession, she travels further into her own madness, anxiety, and
genius. Malina explores love, "deathstyles," the roots of fascism,
and passion.
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