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Malicious Deceivers - Thinking Machines and Performative Objects (Paperback)
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Malicious Deceivers - Thinking Machines and Performative Objects (Paperback)
Series: Sensing Media: Aesthetics, Philosophy, and Cultures of Media
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In Malicious Deceivers, Ioana B. Jucan traces a genealogy of
post-truth intimately tied to globalizing modernity and connects
the production of repeatable fakeness with capitalism and Cartesian
metaphysics. Through case studies that cross times and geographies,
the book unpacks the notion of fakeness through the related logics
of dissimulation (deception) and simulation (performativity) as
seen with software/AI, television, plastics, and the internet.
Specifically, Jucan shows how these (dis)simulation machines and
performative objects construct impoverished pictures of the world,
ensuring a repeatable sameness through processes of hollowing out
embodied histories and lived experience. Through both its
methodology and its subjects-objects of study, the book further
seeks ways to counter the abstracting mode of thinking and the
processes of voiding performed by the twinning of Cartesian
metaphysics and global capitalism. Enacting a model of creative
scholarship rooted in the tradition of writing as performance,
Jucan, a multimedia performance-maker and theater director, uses
the embodied "I" as a framing and situating device for the book and
its sites of investigation. In this way, she aims to counter the
Cartesian voiding of the thinking "I" and to enact a different kind
of relationship between self and world from the one posited by
Descartes and replayed in much Western philosophical and — more
broadly — academic writing: a relationship of separation that
situates the "I" on a pedestal of abstraction that voids it of its
embodied histories and fails to account for its positionality
within a socio-historical context and the operations of power that
define it.
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