J.R.R. Tolkien delved into the Middle Ages to create a critique of
the modern world in his fantasy, yet did so in a form of modernist
literature with postmodern implications and huge commercial
success. These essays examine that paradox and its significance in
understanding the intersection between traditionalist and
counter-culture criticisms of the modern. The approach helps to
explain the popularity of his works, the way in which they continue
to be brought into dialogue with twenty-first century issues, and
their contested literary significance in the academy.
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