In "Twenty Questions, " one of America's finest poet-critics
leads readers into the mysteries of poetry: how it draws on our
lives, and how it leads us back into them. In a series of linked
essays progressing from the autobiographical to the critical -- and
closing with a remarkable translation of Horace's Ars "Poetica"
unavailable elsewhere -- J. D. McClatchy's latest book offers an
intimate and illuminating look into the poetic mind.
McClatchy begins with a portrait of his development as a poet
and as a man, and provides vibrant details about some of those who
helped shape his sensibility -- from Anne Sexton in her final days,
to Harold Bloom, his enigmatic teacher at Yale, to James Merrill, a
wise and witty mentor. All of these glimpses into McClatchy's
personal history enhance our understanding of a coming of age from
ingenious reader to accomplished poet-critic.
Later sections range through poetry past and present -- from
Emily Dickinson to Seamus Heaney and W. S. Merwin -- with incisive
criticism generously interspersed with vivid anecdotes about
McClatchy's encounters with other poets' lives and work. A critical
unpacking of Alexander Pope's "Epistle to Miss Blount" is
interwoven with compassionate psychological portrait of a brilliant
poet plagued by both romantic longings and debilitating physical
deformities. There are surprising takes on the literary imagination
as well: a look at Elizabeth Bishop through her letters, and a
tribute to the Broadway lyrics of Stephen Sondheim and the
tradition of light verse.
The questions McClatchy poses of poems prompt a fresh look and
the last word. Free of scholarly pretension, elegantly and movingly
written, "Twenty Questions" is a bright, open window onto a public
and private experience of poetry, to be appreciated by poets,
readers, and critics alike.
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