Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Hide Fox, and All After - What Lies Concealed in Shakespeare's Hamlet? (Paperback)
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Hide Fox, and All After - What Lies Concealed in Shakespeare's Hamlet? (Paperback)
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Is there anything more to say on Hamlet? Hide fox, and all after, a
casual quip of the Prince, as he and his enemy the King start to
hunt each other down, is taken as the title for this
closely-considered survey of the play. J D Winter finds question
after question in it raised and unanswered, as if the plays
dramatic method were in part to create uncertainty in its audience
and so draw them in. He adopts three phrases from the text to
provide a context for his approach: the plays the thing, a rhapsody
of words, and the invisible event. The first phrase suggests the
spectacle itself, without regard to what has been written about it.
There is no reference to outside opinion nor is another literary
work named. The second indicates an awareness of the text as poem.
While the tremendous sweep of Shakespearean blank verse, the
prose-paragraphs on fire with their own poetry, the whispering
gallery of metaphor, can scarcely be accorded proper respect in a
prose commentary, certain rhapsodic effects are everywhere noted.
Finally, the play is contained within a mystery. So much seems to
happen; so little seems to happen. Almost all the major characters
are subject to a pattern of error in their dealings as they are
swept on from one catastrophic misjudgement to another. The level
to which the play is focussed upon the blind time between events is
unusually high. This too draws in the audience; it is a part of the
spectators own internal experience. There can be no definitive
answer to Hamlet or Hamlet. But like a signpost in a swarming mist,
the third phrase may offer a faint clue: the invisible event.
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