Closely reading a range of performance work from the late
twentieth and early twenty-first centuries, "Naming Theatre" is a
ground-breaking study of theater's growing obsession with
technologies and effects of naming. How do theater-makers such as
Ping Chong, Anne Bogart, Suzan-Lori Parks, Forced Entertainment,
Lightwork, Ridiculusmus, Theodora Skipitares, Paula Vogel, and Riot
Group intervene in naming practices across domains such as
medicine, political activism, philosophy, horror films, television
and print journalism, anthropology, advertising and brand
development, semiotics, military training, and genetics?
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