"After Auschwitz to write even a single poem is barbaric." "The
Conflagration of Community "challenges Theodor Adorno's famous
statement about aesthetic production after the Holocaust, arguing
for the possibility of literature to bear witness to extreme
collective and personal experiences. J. Hillis Miller masterfully
considers how novels about the Holocaust relate to fictions written
before and after it, and uses theories of community from Jean-Luc
Nancy and Derrida to explore the dissolution of community bonds in
its wake.Miller juxtaposes readings of books about the
Holocaust--Keneally's "Schindler's List," McEwan's "Black Dogs,"
Spiegelman's" Maus," and Kertesz's "Fatelessness"--with Kafka's
novels and Morrison's "Beloved," asking what it means to think of
texts as acts of testimony. Throughout, Miller questions the
resonance between the difficulty of imagining, understanding, or
remembering Auschwitz--a difficulty so often a theme in records of
the Holocaust--and the exasperating resistance to clear, conclusive
interpretation of these novels. "The Conflagration of Community" is
an eloquent study of literature's value to fathoming the
unfathomable.
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