"Shakespeare and Masculinity in Southern Fiction "advances the
idea that" "American, Southern, white, planter class authors have
appropriated models and modes of masculinity from William
Shakespeare. Keener traces the history of this appropriation and
its attendant masculinities from authors as early as William
Gilmore Simms, through Thomas Nelson Page and Thomas Dixon, to
William Faulkner. This project distinctively ignores artificial
divisions of literary studies, circumventing place and time in
search of meaning. The work's inter-textual and inter-cultural
approach affords a unique perspective on how masculinity is
defined, modified by cultural circumstances, and expressed in
succeeding literature. This far-reaching book bridges
Shakespearean, American Southern, cultural materialist, and gender
studies; offering a critical reappraisal. ""
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