In this book J. Peter Euben argues that Greek tragedy was the
context for classical political theory and that such theory read in
terms of tragedy provides a ground for contemporary theorizing
alert to the concerns of post-modernism, such as normalization, the
dominance of humanism, and the status of theory. Euben shows how
ancient Greek theater offered a place and occasion for reflection
on the democratic culture it helped constitute, in part by
confronting the audience with the otherwise unacknowledged
principles of social exclusion that sustained its community.
Euben makes his argument through a series of comparisons between
three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and
Euripides' Bacchae) and three works of classical political theory
(Thucydides' History and Plato's Apology of Socrates and Republic)
on the issues of justice, identity, and corruption. He brings his
discussion to a contemporary American setting in a concluding
chapter on Thomas Pynchon's The Crying of Lot 49 in which the road
from Argos to Athens, built to differentiate a human domain from
the undefined outside, has become a Los Angeles freeway desecrating
the land and its people in a predatory urban sprawl.
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